nestonexArtist website and presence
A branded home for the artist covering bio, releases, videos, and press, built through Awaaz as the anchor everything else links back to.
Artist platforms that put everything an artist needs in one place
Through Awaaz, our artist-focused studio at artists.nestonex.com, Nestonex builds and runs an artist's complete online presence. One connected platform ties together the website, tour and release updates, teasers, live streams, ticketing links, a merch store, and the community around it, so fans find everything in one place and the team manages it from one. Alongside the platform, Awaaz builds immersive 3D experiences, like a gallery of an artist's songs fans can move through, that turn a release into somewhere fans go rather than just a link they tap.
Discuss this serviceThrough Awaaz, our artist studio, Nestonex builds and runs an artist's whole online home: the site, tour and release updates, teasers, live streams, ticketing links, merch and the community around them — plus immersive experiences that make a release somewhere fans go rather than a link they tap.
Is this the right
starting point?
This suits musicians, performers, and creative teams who want a professional home for their audience instead of scattered links across social platforms. It works best when there is a real release, tour, or catalogue to build around and someone accountable for keeping it current.
THE SCOPE /
What an engagement can include
Tour, news, and release updates
Tour dates, announcements, teasers, and release drops managed from one place, with ticket links and reminders so fans do not miss a moment.
Live streams and launch moments
Live-stream integration and release events so fans can show up in real time, with the surrounding pages ready around them.
Merch store and ticketing
A connected merch storefront and ticketing links, so buying and attending happen inside the artist's own space rather than a stranger's.
Community and ongoing management
The community around the artist plus the day-to-day operation: moderation, updates, and a steady rhythm of activity between releases.
3D and alive experiences
Immersive, explorable web experiences, such as a 3D gallery of an artist's catalogue with live fan interaction, that make a launch somewhere fans visit rather than a link they tap, live at hasanzone.nestonex.com.
The proposal defines the final deliverables, responsibilities, and acceptance criteria.
What is Awaaz?
Awaaz is Nestonex's artist-focused studio, at artists.nestonex.com. It exists because the work musicians actually need is not a website project — it is a presence that has to stay current through a release, a tour, a drop and whatever comes next, and that needs a team rather than a launch.
It grew around Pakistan's new pop wave, and the cultural specificity is part of the point. Knowing how a release travels in that scene, what fans expect from an artist online and where the audience already is, is not something a generic platform can supply.
It is a sub-brand, not a separate company. The engineering, design and platform work come from the same studio, which is why an Awaaz artist can have an immersive 3D experience built without that becoming a separate procurement exercise.
What does an artist's online home need to carry?
One place that answers every question a fan arrives with. When is the next show, where do I get tickets, where do I hear the new record, what merch exists, how do I follow properly, is there anything I missed.
Scattering that across a link-in-bio, three social accounts and a ticketing page loses people at every hop, and none of it is yours. A site you own keeps the audience relationship where the artist can use it — mailing list, presale, direct sales — instead of renting it back from a platform each time an algorithm changes.
So the platform ties together the site, release and tour updates, teasers, live streams, ticketing links, a merch store and the community around them, managed from one place by whoever is accountable for keeping it fed.
What does an immersive experience add?
It turns a release into a destination. Hasan Zone is the example we point at: a 3D gallery where fans fly through rooms of an artist's catalogue at their own pace and interact with the world, audio designed in throughout, 111 songs across 7 rooms, live on the web with nothing to install.
The distinction that matters is between a place and a playlist. A link gets tapped and closed. A place gets explored, screenshotted and sent to a friend, and the time spent there is time with the artist's work rather than with a streaming interface.
It is not right for every release, and we will say when a well-made page would serve the moment better. Immersive work costs more, takes longer, and only pays back when there is a catalogue or a story worth moving through. Awaaz itself is the wider platform that surrounds this — a home for the new sound of Pakistan and the roster on it.
Who runs it after launch?
Whoever is agreed, in writing, before launch. A presence that nobody feeds goes stale faster than no presence at all — an old tour date on a homepage does more damage than an empty one.
Awaaz can run the ongoing operation, keeping it current release by release, or hand over to the artist's own team with the tools to do it. What Nestonex runs and what the artist's team runs is settled at the start, because the answer changes the build.
Ticketing, streaming and payment tools depend on third-party providers and their fees, and merch fulfilment, inventory and rights remain the artist's to confirm. We integrate them and we are clear about where our responsibility ends.
From a clear brief
to a useful release.
We start with the artist's next moment, a release, a tour, or a launch, and build the presence around it through Awaaz, then connect the pieces fans use most: updates, streams, tickets, and merch. From there it is an ongoing operation, kept current release by release rather than left to go stale after the launch.
What shapes the estimate
A living artist presence needs someone to keep it fed with new dates, drops, and updates, so we agree what Nestonex runs versus the artist's own team. Ticketing, streaming, and payment tools rely on third-party providers and their fees, and merch fulfilment, inventory, and rights remain the artist's to confirm.
Prepare a stronger project briefSEE IT LIVE /
Built, shipped, and online.
BEFORE WE BEGIN /
Common questions
What is Awaaz?
Awaaz is Nestonex's artist-focused studio at artists.nestonex.com. It brings an artist's website, tour and news updates, teasers, live streams, ticketing, merch, and community together as one managed online presence rather than a set of disconnected tools and links.
Can you run it after launch, not just build it?
Yes, and that is the point of the model. Beyond building the presence, Awaaz can manage the ongoing updates, community, and release moments, with the split of responsibilities between our team and the artist's team agreed at the start.
Do you handle merch and ticketing directly?
We build and connect the merch store and ticketing into the artist's space and manage the experience around them. The underlying payment, fulfilment, and ticketing providers, their fees, and any inventory or rights remain the artist's to hold.
Do you build 3D or immersive experiences for artists?
Yes. Alongside the core platform, Awaaz builds immersive, alive experiences, for example a 3D gallery of an artist's songs that fans explore and interact with, live at hasanzone.nestonex.com. These turn a launch into a place rather than a link.
Do you work with artists outside Pakistan?
Yes. Awaaz grew around Pakistan's new pop wave and that is where its cultural depth is, but the platform work — site, updates, streams, ticketing links, merch, community — is not region-specific. Nestonex delivers remotely across the United States, the United Kingdom and Pakistan.
Do you handle merch and ticketing directly?
We integrate the tools and design the experience around them. Fulfilment, inventory, pricing and rights stay with the artist or their existing partners, and third-party provider fees apply. What each side is responsible for is written into the engagement rather than assumed.
Can you build just the immersive piece?
Yes, though it works better with somewhere for the attention to land. A 3D experience that sends fans back to a link-in-bio wastes the moment it created. If budget is limited, the platform usually earns its place first and the immersive layer follows a release.